Fresh Air

Monday-Friday 12pm-1pm

Weekdays 12PM-1PM
Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 5 million people listen to the show's intimate conversations broadcast on more than 624 NPR stations across the country, as well as in Europe on the World Radio Network. Fresh Air was iTunes #1 most downloaded podcast in 2015.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

People who have been taking antidepressants for several years sometimes hit a wall, a point when that treatment no longer seems to ease their symptoms. Psychiatrist Julie Holland says that's where psychedelic drugs could help.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

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DAVID BIANCULLI, HOST:

DAVID BIANCULLI, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

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TERRY GROSS, HOST:

Across the country, states are loosening the restrictions that had been put in place to curb the spread of COVID-19 — with varying results.

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TERRY GROSS, HOST:

TERRY GROSS, HOST:

This is FRESH AIR. On cable this month, Turner Classic Movies is presenting a series of movies with jazz connections. As it happens, our jazz critic Kevin Whitehead has a new book about movies that tell jazz stories. Here's his defense of a much maligned film genre - the jazz biopic, screened biographies of jazz musicians.

(SOUNDBITE OF FILM, "THE BENNY GOODMAN STORY")

STEVE ALLEN: (As Benny Goodman) All right. Let's get to work.

SHEP MENKEN: (As Harry Goodman) I got only one suggestion to make, Benny.

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TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

DAVID BIANCULLI, HOST:

This is FRESH AIR. I'm David Bianculli, in for Terry Gross. The Oscar-nominated documentary "I Am Not Your Negro" about James Baldwin and his views on racial politics in America was released in 2016. Four years later, in this period of international mass demonstrations demanding police reforms and protesting the death of George Floyd at the hands of Minneapolis police, the movie is being newly showcased and celebrated. Here's a clip from the film. It includes language that may be disturbing to some listeners.

Spike Lee's Da 5 Bloods was supposed to open in select theaters, until the COVID-19 pandemic hit and forced Netflix to change its plans. You could call that unfortunate timing, except that amid nationwide protests against racism and police violence, the movie could hardly be timelier.

SNL castmember Pete Davidson was 7 years old when his father, a New York City firefighter, died as a first responder in the Sept. 11, 2001, terror attacks. His dad's badge was later recovered from Ground Zero, and Davidson has worn it every day since.

"I'm very lucky that I have that piece to remember him by," he says. "He was one of the lucky ones that were found."

As a teenager, Davidson found that comedy helped ease his pain, and he began doing stand-up. "My goal was always to just bring light to the darkness," he says.

In the wake of George Floyd's death at the hands of police, protesters across the country are demanding systemic changes in the way American police forces operate and are funded.

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DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies in for Terry Gross. The events of the past 10 days are a painful reminder that police officers we count on to serve and protect our communities can sometimes abuse their authority and commit brutal acts whose victims are disproportionately people of color. Our guest today, journalist Doug Swanson, has a new book about one of the oldest and most celebrated law enforcement agencies in America, the Texas Rangers.

DAVE DAVIES, HOST:

This is FRESH AIR. On cable this month, Turner Classics is presenting a series of movies with jazz connections. As it happens, our jazz critic Kevin Whitehead has a new book about movies that tell jazz stories. So we invited him to talk a little about the subject. In the first of two segments, he looks at what he calls the stock jazz movie ending - a basic plot element subject to many variations. Here's Kevin.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

DAVID BIANCULLI, HOST:

This is FRESH AIR. I'm David Bianculli, editor of the website TV Worth Watching, sitting in for Terry Gross. Protests across the nation demanding justice and policing reforms after the death of George Floyd at the hands of police in Minneapolis are now in their second week. Today we listen back to an interview from our archives which examines some of the historical roots of institutionalized racism in our country.

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DAVID BIANCULLI, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

I first saw Shirley months ago, back in January. It's strange to be revisiting it now. Like a lot of very good movies, it doesn't speak to this extraordinarily fraught moment, and it doesn't offer a mindless escape from it, either. What it does offer is a smart, fascinating glimpse into an artist's mind, and I hope you'll seek it out now or in the future.

The killing of George Floyd has inspired protests across the U.S. and around the world, with crowds evoking the names of other black men and women who have died in police custody — including

Climate change has put organisms on the move. In her new book, The Next Great Migration, Science writer Sonia Shah writes about migration — and the ways in which outmoded notions of "belonging" have been used throughout history to curb what she sees as a biological imperative.

There is a tendency to view plants, animals and people who cross into a new territory as a threat to the current habitat. But Shah says there's another way to think about these "invaders."

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TERRY GROSS, HOST:

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TERRY GROSS, HOST:

One of the characters that comes to the fore in the second half of Brit Bennett's new novel, The Vanishing Half, is a young actress named Kennedy Sanders. She's an attractive blonde pushing 30, who, after years of trying to make it in the serious theater, lands a role on a soap opera.

Bennett writes that when Kennedy calls her parents to tell them about her big break, she assures them that "There was nothing wrong with melodrama, . ... In fact, some of the greatest classic actresses — Bette Davis, Joan Crawford, Greta Garbo — trafficked in it from time to time."

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