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  • The Unite the Right rally and subsequent counterprotests in the band's hometown of Charlottesville, Va. inspired the duo's latest release, Line of Light.
  • In this episode of World Cafe, Shirley Manson of Garbage discusses the band's new album No Gods No Masters and being a woman in an industry known for being hostile toward them.
  • Take a dollop of Stevie Ray Vaughan, a pinch of Santana and a helping of Ritchie Valens and you might come up with a band that sounds a lot like Los Lonely Boys. The Austin-based group of Mexican-American brothers also has country music roots and considers Willie Nelson a patron of sorts. NPR's Felix Contreras reports. Hear band members discuss one of their recording sessions and listen to selections from their debut CD.
  • All Songs Considered hosts Bob Boilen and Robin Hilton are joined by Stephen Thompson and NPR contributor Katie Presley for a look at a handful of bands we can't wait to see at SXSW this week.
  • On its fifth album, the English band crafts a rich and playful swirl of Technicolor overdrive, suitable for rowdy keggers, children's birthday parties and just about any celebration in between.
  • The music of the West London band Mumford and Sons features banjos and mandolins that conjure images of American folk. The group's rich harmonies have even drawn comparisons to Crosby, Stills and Nash, but members Marcus Mumford and Ben Lovett say that that's only part of a large cast of influences.
  • That's some key advice from Grammy-winning jazz bassist, composer and bandleader Christian McBride.
  • It's the first time the group has made the charts in more than 20 years. The song was written for the upcoming animated movie Trolls Band Together, which just happens to star Justin Timberlake.
  • Weir was 16 in 1963 when he ran into Jerry Garcia at a music store in Palo Alto. They decided to start a band, which evolved into the Grateful Dead. Weir died Jan. 10. Originally broadcast in 2016.
  • The attack on the Capitol continues to cast a shadow over Congress as both a building and an institution, as it remains either the subject or subtext of most every political discussion in Washington.
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