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  • Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.
  • Elvis Presley is constantly being discovered by new generations, and by older fans in new stages of life. Critic Milo Miles talks about the surprise rewards he found while listening to the new reissue Elvis Is Back! — and during his first visit to Graceland in Memphis.
  • More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.
  • Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.
  • The Aces' full-length debut is a pop confectionery, and fit to be blasted from car stereos, but there's substance to its sweetness
  • The inspired Head Carrier reaffirms all the spark, wit and weirdness, tempered by the occasional burst of emotional rawness, that made people fall in love with the Pixies in the first place.
  • Three Israeli sisters celebrate — and utterly transform — a trove of Arab-language folk songs that they inherited as Yemenite Jews, by tweaking them with electronic touches.
  • The Canadian singer grew up watching old movies and musicals in London, Ontario. She took those influences and turned them into an album that sounds both old-fashioned and timeless. Its title is The Cricket's Orchestra.
  • On her first studio album since 2008, the 74-year-old firebrand's voice remains relevant, full of spit and vinegar and fun.
  • Before Virginia Gov. Glenn Youngkin was elected, years of work went into updating the executive mansion tour to include the lives of enslaved people. His redesigned tour doesn't recognize slavery.
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