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Spektral Quartet, 'Enigma: III' (Anna Thorvaldsdottir)
Imagine you're suspended in some primordial gas cloud where matter is transforming, regenerating, building toward the birth of a planet. That's what Enigma sounds like.
Tyshawn Sorey & Alarm Will Sound, 'For George Lewis'
Composer Tyshawn Sorey's symphonic salute to one of his mentors, For George Lewis, evolves gradually in tranquil, multi-textured waves of sound.
Aaliyah, 'Are You That Somebody'
On the Timbaland-produced "Are You That Somebody," Aaliyah's soulful, contemporary-sounding vocals enchant. Even though it's been over 20 years, this track feels like yesterday.
Pays P., 'Corps vs Cœur'
There's a savagery and a delicacy to the Parisienne rock trio that grabs you by the scuff of the neck and plants a kiss on the cheek.
Makaya McCraven, 'Frank's Tune (AKA De'Jeff's Tune)'
With help from guitarist Jeff Parker and flutist De'Sean Jones, Chicago-based drummer and producer Makaya McCraven modernizes a song from Jack Wilson's album Easterly Winds.
The Royal Chief, 'My Brother's Keeper'
This #NowPlaying discovery of The Royal Chief comes to us from this year's Tiny Desk Contest.
Joe Troop, 'The Rise Of Dreama Caldwell'
Best-known as the leader of the Grammy-nominated folk ensemble Che Apalache, singer and banjo player Joe Troop has sharpened both quill and activist voice on his new single.
Ovlov, 'Land Of Steve-O'
The first single from the group's forthcoming record, Buds, sounds like meeting someone for the first time and feeling like you've known them your whole life.
Injury Reserve, 'Knees'
Moved both by the loss of a founding member and a desire to return to the rap group's experimental roots, Injury Reserve's "Knees" feels like a musical left turn.
Natalie Jane Hill, 'Orb Weaver'
A year after her debut, Hill quietly expands her universe with "Orb Weaver," featuring delicately ornate pedal steel and cello that gently eddies around a whitewater of finger-picked guitar.
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