If we bracket for a moment the Kanyes of the world, celebrity social media accounts tend to fall into a few categories: there are beloved celebs whose posts simply confirm their delightfulness (Leslie Jones, the magic that is Tom Hanks’ stray gloves, signed with âHanxâ). There are people we might have otherwise assumed were pretty but boring who turn out to be actually very clever, funny and pretty (Chrissy Teigen, Ryan Reynolds). And there are people to whom we might have never given a second thoughtâpeople who, upon the public assessing their public-facing content, turn out to be undeniable racists or homophobes (for the latter: hi, Kevin Hart).
But actual impact on a personâs stock aside, the purpose of most social media accounts is self-promotion. This is true for the famous and the non-famous. It is true whether youâre hawking a bullshit detox tea or posting pics of the show you played last night or self-deprecating jokes about being an old lady for staying home on a Saturday or finding the best angle for your engagement ring or car.
And then thereâs Patti Smith.
Patti Smith’s desk at a hotel in London, posted on her Instagram. (Patti Smith)
Patti Smith doesnât need to tell you how great she is, and hopefully, you donât need me to tell you either. The Godmother of Punkâs music, poetry and visual art have shaped the American landscape for a solid half-century now; people like Madonna, Morrissey, and Michael Stipe all point to her and her seminal record Horses as a starting spark for their careers. Courtney Love once told VH1 that she first heard Smithâs music while Love was a teenager, in juvenile hall, and “realized that you could do something that was completely subversive that didn’t involve violence [or] felonies. I stopped making trouble.â
Smithâs 2010 memoir Just Kids won the National Book Award. Sheâs an elder stateswoman, to be sureâbut she also really liked Aqua Teen Hunger Force, as evidenced by her elegy for the show upon its series finale in 2015. (Show of hands for who else can think of no better dream date than an evening of getting stoned with Patti Smith and watching ATHF? I thought so.)
Simply put: at 72, the womanâs far from ready to be treated like a museum piece. Those who have never seen her live and have $50 lying around should absolutely see for themselves this coming weekend, when she plays back-to-back nights at The Fillmore Jan. 11 and 12. (There’s also a collection of her photographs on display Jan. 14-19 at the San Francisco Art Institute, work that explores her connection to Frida Kahlo and Diego Rivera.)
For everyone else, thereâs her Instagram.
A leaf, posted to Patti Smith’s Instagram. (Patti Smith)
I donât recall exactly when I first became aware of the oddly soothing, terrifically weird, refreshingly intimate yet thoroughly non-promotional photograph collection that is Patti Smithâs Instagram account. But I do know that itâs improved my life in a more tangible way than just about anything else on social media. There she is, hair loose, strolling an elegant hallway next to her pal Michael Stipe. There she is with famed film director Bernardo Bertolucci, cool as always in black and white. Her children feature prominently, as do notebooks and desks and hotel rooms.
But the best Patti Smith Instagrams are the everyday objects. A recent favorite, accompanying a photo of a leaf, above, that has apparently been run over by something with a wheel:
She writes:
This isa leaf, that experienced much inits brief life.It felt the propulsionof its entrance into the worldfrom a budding branch. It feltthe sunâs warmth as it drew itsnutrients. It heard an admiringword from a passerby. It wasilluminated by the full moon,and rained upon. It felt thewind and a tearing away andthe strange motion of falling.It felt the trampling of smallfeet and heavy boots. It feltits colors drain away as itsuccumbed, becoming onewith the dust and gravel,beneath a welcoming sky.
I love so many things here. I love that her captions always start with âThis is.â I love that she has the patience of Job when it comes to wishing people a happy birthdayâliterally, every single one of her photos contains at least one commenter announcing that itâs their birthday (or their neighborâs momâs catâs birthday) and Smith, with nary a sign of exasperation, responds in kind.
But most of all, I love the window into the mind of a person whoâs such a legend, such a poet, so seemingly untouchableâuntil she isnât. Whose creativity seems innate, whose artistry seems baked in, whose work seems to have arrived fully formedâuntil we see her rough drafts, and it clearly didnât.
Patti Smith. (via Instagram)
Itâs a bit played out at this pointâand by played out I of course mean beaten to death on social mediaâto discuss the âenergyâ one is bringing into 2019. But like many internet-addicted people I know, one goal I have is to spend less time on any platform that makes me feel like I have to perform. Call it the new Millennial American Dream: get off the requisite hamster wheel of self-promotion. Most days Iâm more than ready to throw the whole damn internet away if itâll help.
But other days, Patti Smith posts a photo of her coffee and says she got some work done. And that the morning is now turning into afternoon, and that she just wanted to appreciate the moment.
And I think, if Patti Smith can do thatâand still find the time to wish everyone a happy birthdayâmaybe I can too.
Patti Smith and Her Band perform at The Fillmore in San Francisco at 8 p.m. on Friday, Jan. 11 and Saturday, Jan. 12. Details here.
Patti Smith also exhibits a collection of her photographs Jan. 14-19 at the San Francisco Art Institute. Details here.
Copyright 2019 KQED