Felix Contreras

Felix Contreras is host of Alt.Latino, NPR's program about Latin Alternative music and Latino culture. It features music as well as interviews with many of the most well-known Latino musicians, actors, film makers and writers.

Previously, Contreras was a producer and reporter for NPR's Arts Desk and covered, among other stories and projects: a series reported from Mexico introducing the then-new musical movement called Latin Alternative; a series of stories on the financial challenges facing aging jazz musicians; and helped produce NPR's award-winning series 50 Great Voices.

He once stood on the stage of the legendary jazz club The Village Vanguard after interviewing the club's owner and swears he felt the spirits of Coltrane and Monk walking through the room.

Contreras is a recovering television journalist who has worked for both NBC and Univision. He's also a part-time musician who plays Afro-Cuban percussion with various jazz and Latin bands.

Historic Panart Records sessions have been remastered and collected in a new five volume set. The Complete Cuban Jam Sessions were recorded at various locations around Havana from 1956 to 1964 for the historic Cuban label Panart Records. The five volume collection includes the definitive must-haves among Cuban jazz aficionados, Cuban Jam Sessions in Miniature "Descargas" by Cachao Y Su Ritmo Caliente.

In the days leading up to the November 2016 election, I taped an episode of Alt.Latino that was intended to be a musical healing session. For just about everyone in the country, the campaign season was rough ride and I had created a healing playlist for myself, which I then decided to share.

Magos Herrera's talent refuses to be limited by genre. The Mexico-born artist is generally considered a jazz singer, but has also taken on Brazilian-influenced pop and Mexican rock. On her latest effort, Herrara partnered with the string quartet Brooklyn Rider to create the classically-inspired, and culturally relevant album Dreamers.

Unless you've experienced it, it's difficult to fathom just how intense the power of a Category 4 hurricane is. And to get slammed by two in less than a month?

Latino Heritage Month (Sept 15. -Oct. 15) is the perfect time to use our Spotify playlist to highlight the width and breadth of Latinx musical expression.

The five women on this week's list couldn't be any more different from each other in terms of style: An electronic pioneer from Argentina; a Brazilian jazz vocalist; our favorite Chilean rapera/soul singer; a Spanish flamenco-inspired pop vocalist; and a Mexican vocalist so versatile it's impossible to pin her down to one genre.

It's bee a while since Alt.Latino has published an all Spanish podcast and we were way overdue. And what an artist to start with: La Dame Blanche is a cigar-smoking, classically trained flutist who is making a name for herself as a rapera in the ever expanding and fascinating world of Cuban hip-hop.

Alejandro Escovedo has carved out a very special place for himself in the music world. He established unimpeachable punk cred when his 1970's punk band The Nuns opened for the Sex Pistols at its infamous last stand at San Francisco's Winterland Ballroom.

Some folks around the NPR Music office said they felt an almost spiritual connection to Erykah Badu during her visit to the Tiny Desk. And that was before she and her band even played a single note. It came from the waft of earthly scents that followed in her wake, to the flowing dreads and clothes that hung on her like robes.

Fania Records has a singular place in music history, mostly because it practically gave birth to the genre that became known as salsa. The musicians, singers, composers and arrangers who made music for the label will tell you that the song forms already existed — guaracha, son, mambo, cha cha cha, merengue — but what they did was give it a 1970s New York City swagger.

Lalah Hathaway comes from royalty: Her late father Donny Hathaway's voice was crucial for my generation, setting the bar for inspired, old-school soul singing. But living in that kind of shadow can also be a burden, robbing the offspring of an identity apart from that of the famous parent.

Joe Jackson, patriarch of the legendary Jackson family, which included Michael and Janet Jackson, has died, the estate of Michael has confirmed in a statement. No cause of death was given, though he had reportedly been diagnosed with cancer.

Officially, Joe Jackson was a band manager, taking five of his sons from a locally celebrated pop vocal group in Gary, Ind., in the mid-1960s to international acclaim, acting as the launchpad to superstardom for his son Michael. Their paths, however, would be revealed through the decades as ones paved in checkers.

The history of television and film portrayals of people of color is pretty abysmal. Either we are not present, just in the background and stereotyped, or we're cast as maids, gardeners, servants or the comic buffoon. In my lifetime, I have never been exposed consistently to characters who either look like me, act like me or reflect my reality of those around me.

Notice I said consistently. There have been exceptions, but it seems we've had to wait patiently for portrayals that we recognize as being significant to our lives.

For two glorious weeks this month, the Kennedy Center for the Performing Arts in Washington, D.C. exploded with the vibrant sound, color and culture of the historic festival Artes de Cuba: From the Island to the World.

The presence of accordion-powered European dance music along the Texas/Mexico border is a phenomenon only about a hundred years old, forged as twists of historical fate made Tejanos and Polish farmers neighbors in the region's rural communities. One thing led to another, and soon Mexican-Americans were singing Spanish lyrics over the oompah of polkas and Bavarian waltzes. But despite its short history, Tex-Mex conjunto has made a profound cultural impact and become an identifying characteristic of an entire subculture of the Latino community here in the U.S.

When someone once asked Nando Chang if he was into Tupac, the Peruvian American hip-hop fan thought the reference was to Tupac Amaru, a legendary Incan warrior.

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