Maureen Corrigan
Maureen Corrigan, book critic for NPR's Fresh Air, is The Nicky and Jamie Grant Distinguished Professor of the Practice in Literary Criticism at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America. In 2019, Corrigan was awarded the Nona Balakian Citation for Excellence in Reviewing by the National Book Critics Circle.
Corrigan served as a juror for the 2012 Pulitzer Prize in Fiction. Her book So We Read On: How The Great Gatsby Came To Be and Why It Endures was published by Little, Brown in September 2014. Corrigan is represented by Trinity Ray at The Tuesday Lecture Agency: trinity@tuesdayagency.com
Corrigan's literary memoir, Leave Me Alone, I'm Reading! was published in 2005. Corrigan is also a reviewer and columnist for The Washington Post's Book World. In addition to serving on the advisory panel of The American Heritage Dictionary, she has chaired the Mystery and Suspense judges' panel of the Los Angeles TimesBook Prize.
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Some years, this annual book list falls into a pattern: like stand-out memoirs or dystopian fiction. But 2022 could not be contained, and these titles sprawl all over the place in subject and form. -
Keegan is a writer who revels in the suspense of the unspoken, the held breath. Her new novella centers on a nameless young girl whose parents leave her in the care of relatives for the summer.
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Adams' historical importance is often overlooked because he didn't keep copies of his own letters. Stacy Schiff's superb new biography explores his crucial role in inciting the American Revolution.
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Alexandra Horowitz is an authority on how dogs perceive the world, but her new book is not a training manual. In The Year of the Puppy, she says there's plenty she doesn't know about canine cognition.
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Our Missing Hearts imagines a world of governmental cruelty — and the armies of citizens who both facilitate and resist. It's a masterful work that epitomizes the possibilities of storytelling.
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Greer's new comic novel, Less is Lost, is as funny and poignant as its predecessor. But comedy also arises out of pain and Greer smoothly transitions into the profound.
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Nothing is just one thing in Bliss Montage: Satire swirls into savagery; a gimmicky premise into poignancy. Ma writes with such authority that readers are simply swept along.
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Jonathan Escoffery's If I Survive You is an intensively granular, yet panoramic depiction of what it's like to try to make it — or not — in this kaleidoscopic madhouse of a country.
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Mohsin Hamid's surreal new novel centers on a white man who awakens one morning to find that his skin has turned brown. The Last White Man only seriously strains credulity at its very end.
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Gabrielle Zevin's beautifully written novel Tomorrow and Tomorrow and Tomorrow tells the story of two childhood friends who become legendary names in the world of video game design.
