Tom Huizenga

On Nov. 20, 1934, a brand new symphony brought a Carnegie Hall audience to its feet. The concert featured the Philadelphia Orchestra, led by its star conductor Leopold Stokowski. The music was the Negro Folk Symphony, by the 35-year-old African American composer William Dawson.

When the story of George Floyd's death at the hands of Minneapolis police began making news last week, Anthony McGill felt something roiling up inside him.

In these days of uncertainty, music can provide a safe haven, an escape, or even a boost of energy. I've found all of that and more in a new recording of the music of Carl Philipp Emanuel Bach, the second oldest of Johann Sebastian's musical sons, and a composer who continually fascinates me.

Krzysztof Penderecki, one of the world's leading composers, died Sunday at the age of 86. The Polish Ministry of Affairs announced his passing in a tweet. No cause of death was given.

The Polish-born composer established himself while still in his 20s with jarring atonal works such as Threnody to the Victims of Hiroshima, and came to be widely admired by music fans and musicians far outside traditional classical music circles.

When Víkingur Ólafsson was about 5 years old, he already knew what he wanted to be. "It sounds crazy, but I always saw myself as a concert pianist," he says. "Even if I wasn't a good pianist."

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Twenty seconds of hand washing. 60 to 90 percent alcohol. Five to 12 (14? 21?) days of incubation until the dry cough comes.

Morning Edition's series One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers are defined by a single monster hit, and explains why their catalogs have much more to offer.

In this edition, NPR's classical producer Tom Huizenga makes the case for the charming, danceable St. Paul's Suite by Gustav Holst, who's best known for his symphonic juggernaut called The Planets.

Sometimes old recipes, newly tweaked, can yield astonishing results. Consider the concerto: It might be a 400-year-old formula, calling for a soloist to perform with — and often battle against — an orchestra. But occasionally, a brand new concerto arrives that offers old-fashioned thrills.

Peter Serkin, a pianist who navigated a distinctive course through classical music with thoughtful interpretations of both standard repertoire and bracing new compositions, died Saturday morning at his home in Red Hook, N.Y. at age 72.

The cause of death, announced by his family, was pancreatic cancer.

Serkin came from a prestigious family of musicians. His father, the celebrated pianist Rudolf Serkin, and his maternal grandfather, the violinist and conductor Adolf Busch, embodied old-world traditions — to reverential acclaim.

We've been starting this new year off with genres of music you might not listen to, or that you say you're not a fan of — so far, we've covered jazz, country and deep house.

Harriet Tubman may be the best-known conductor of the Underground Railroad, but a new album highlights another key figure: William Still, who helped nearly 800 enslaved African Americans escape to freedom in the years before the Civil War.

Adrianne Lenker is the guitarist and singer for the Brooklyn, N.Y.-based rock band Big Thief. Cecilia Bartoli is the Italian opera singer who thrives on neglected repertoire from the 18th century. The two women might seem like strange bedfellows, but they come together in our series titled "highly specific superlatives," a kind of drilling down to some of the finest and most precise moments in the arts in 2019.

Cecilia Bartoli isn't your average opera star. She doesn't sing many of the popular 19th century operas. Instead, she prefers to explore the dusty, little-known corners of the 18th century.

Bartoli's new album is devoted to music written for a single artist of the Baroque era named Farinelli. He was the most acclaimed opera singer of the mid-1700s, the rock star of his day, singing some of the most virtuosic music ever written for the human voice.

When Russian-born pianist Igor Levit dropped in to play Beethoven at the Tiny Desk, he admitted he was – even after four cups of coffee – "still in my time zone change." A little jet-lagged, he had flown in from Berlin the night before and hopped an early train from New York to Washington, D.C.

In a career – and personal life – loaded with enough drama to fuel an opera, Kanye West is finally presenting one. Or at least that's what he tweeted Sunday, announcing a performance of Nebuchadnezzar, "A Kanye West Opera" at the Hollywood Bowl on Nov. 24.

Caroline Shaw sings her own song, "And So," with the Attacca Quartet.

The Baltimore Symphony Orchestra is back. Orchestra officials and musicians held a joint news conference Monday, on stage at Meyerhoff Symphony Hall, to announce the ratification of a one-year contract that effectively ends a 16-week showdown between the two groups.

"I'm thrilled that an agreement has been reached," BSO music director Marin Alsop said in a statement announcing the new contract, "and that we will have our musicians back on stage to open our 104th season beginning on Friday night."

With a season-opening concert slated for Saturday, Baltimore Symphony Orchestra musicians and its management are still locking horns over details of a new contract agreement. A bargaining session ended Monday night with no resolution, only a set of last minute proposals from management which players will vote on Tuesday night.

Julia Wolfe might be called America's "labor documentarian," but she's not making movies. She's composing music.

NPR Classical

Jun 20, 2019

Updated Sep. 8, 2020: Late summer new releases are in bloom this week, including a chilled out piano concertino by Silvestrov, operatic interludes by Britten and Janáček, plus ethereal choral sounds from Roomful of Teeth and Thomas Tallis.

Updated on Jun. 17 at 11:41 a.m.

Baltimore Symphony Orchestra (BSO) musicians, carrying signs reading "Fair Play for World Class Musicians," have begun picketing in front of their artistic home, Joseph Meyerhoff Symphony Hall, as the orchestra's management has locked out its players.

In the opening scene of Pavarotti, the new documentary by director Ron Howard, the popular tenor travels deep into the Amazon jungle in search of an old opera house where the great Enrico Caruso may have once sung.

The building is shuttered, but because he's Luciano Pavarotti the door is unlocked for him to belt out a few honeyed notes from the stage. His fabulous voice soars into the vast emptiness of the auditorium.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple playlists at the bottom of the page.

Our list of the best new albums out this week includes Kishi Bashi's moving remembrance of Japanese internment camps during World War II, a sometimes surreal but lucid dream from R&B singer Raveena, stark solo piano pieces from the electronic artist Eluvium, veteran of the U.K. grime scene Skepta and more. Host Robin Hilton is joined by NPR Music's Tom Huizenga, Sidney Madden and Stephen Thompson as they share their picks for the best new albums out on May 31.

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On this edition of All Songs Considered, Radiohead guitarist Jonny Greenwood joins us to talk about two of his classical compositions we've just premiered on our Tiny Desk series.

Ellen Reid, a 36-year-old composer, won the Pulitzer Prize in Music on Monday for her opera p r i s m. The Pulitzer jury described the winning piece as a "bold new operatic work that uses sophisticated vocal writing and striking instrumental timbres to confront difficult subject matter: the effects of sexual and emotional abuse." The two other finalists were Sustain, an orchestral work by Andrew Norman, and Still for solo piano by James Romig. Reid is the fourth woman to earn the prize since 2013.

On this edition of All Songs Considered you'll hear new music from Chastity Belt singer and guitarist Julia Shapiro. You'll also hear a song based on an old field recording by the singer Jake Xerxes Fussell. Both of these songs were picked by our awesome intern, Adelaide Sandstrom as she enters her final days at All Songs Considered.

Christine Goerke is focused on endurance. The dramatic soprano is tackling one of the most challenging roles in opera: singing Brünnhilde, the Valkyrie maiden warrior, in Richard Wagner's epic, Der Ring des Nibelungen, at New York's Metropolitan Opera. Otherwise known as the Ring cycle, the 16-hour saga spans four operas and tells the story of gods, monsters, humans and an insatiable urge to own an all-powerful golden ring.

Fans of Hector Berlioz — and record companies, it appears — need no excuse to celebrate the music of the pioneering French composer and quick-witted music critic. The sesquicentennial of Berlioz's death falls on March 8, and to mark the occasion, Warner Classics has released a 27-CD box containing, purportedly, every forward-thinking note the composer ever wrote.

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